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SÁNCHEZ-ARÉVALO BACK ON LIDO WITH TOUCHING “FULL-SIZE” COMEDY
07/09/2009
Three years after Daniel Sánchez-Arévalo launched his feature debut DarkBlueAlmostBlack in Venice Days, he returns to the section with Gordos. The smart, witty ensemble comedy received a lengthy standing ovation at ...
HORMANN’S “DESERT FLOWER” BLOOMS ON LIDO
06/09/2009
A long standing ovation and tears followed the official screening of Sherry Hormann’s Desert Flower, a crowd-pleaser with a very important and timely message. The film tells the incredible life story of Waris Dirie ...
PASKALJEVIC RETURNS WITH NOT-SO-ROMANTIC “HONEYMOONS”
05/09/2009
Serbian director Goran Paskaljevic returns to Venice after his highly acclaimed The Powder Keg, which screened in the festival in 1998. This time, with the first-ever Albanian-Serbian co-production Honeymoons, selected in ...
MONZON’S “CELL 211” TAKES GENRE FILM TO COMPELLING HEIGHTS
04/09/2009
A standing ovation followed the Venice Days screening of Cell 211 by Spanish director Daniel Monzon. The prison drama was presented by the director and a large part of its powerful cast: Luis Tosar, newcomer Al ...
ERIK GANDINI’S “VIDEOCRACY” STIRRING UP HEALTHY CONTROVERSY
04/09/2009
Italian-born Swedish transplant Erik Gandini has made a splash on the Lido with his investigative documentary Videocracy, on the media empire that Italian president Silvio Berlusconi created, which in turn fed the Berlusconi p ...