NEWS DIRECTORS FILMS PROGRAM PRESENTATION REGULATIONS PARTNERS CONTACTS CURRENT EDITION select news CRIALESE’S “CHILDREN” GROW UP IN MOVING DOCUMENTARY VENICE DAYS: FIFTH EDITION AN ITALIAN DISTRIBUTION FOR LANDSCAPE NO.2 100+1: BEYOND THE LIST THE DISCUSSION ABOUT THE LIST OF THE 100 MOVIES TO BE “SAVED” AND SHOWN IN SCHOOLS GOES ON IN VENICE A COUNTRY TEACHER HITS THE LIDO ADIUS: WHEN A SONGWRITER BECOMES A POET HOOKED HOOKS AUDIENCE AT ITS WORLD PREMIERE IL DIVO AND GOMORRAH : UNRELEASED EXCERPTS IN VILLA LO STATO DI ECCEZIONE: DOCUMENTARY BETWEEN MEMORY AND CINEMA . UBERTO PASOLINI’S MACHAN WINS VENICE EUROPA CINEMAS LABEL THE VISITOR BY JUKKA-PEKKA VALKEAPÄÄ TRIUMPHS AT THE INTERNATIONAL FILM FESTIVAL OF GÖTEBORG ONE DAY IN A LIFE TOOK TEN YEARS TO HIT SCREENS A WEEK ALONE LOOKS AT UPPER-CLASS ISOLATION AT THE AUTHORS’ VILLA A DISCUSSION ABOUT ARTHOUSE CINEMA AND ITS PROBLEMS, STARTING FROM FRANCE AND ITALY VENICE DAYS DEBATE ON COPYRIGHT AND CREATIVITY. THE SIAE AWARDS CEREMONY FOLLOWED JURORS’ NAMES OF THE PRIZE "LUIGI DE LAURENTIIS" FOR BEST DEBUT HAVE BEEN ANNOUNCED VENICE DAYS 2008 PROGRAM IS ON LINE EUROPA CINEMAS SUPPORTS VENICE DAYS FOR THE FIFTH YEAR VENICE DAYS FILMS SCREENED AT THE USUAL APPOINTMENTS OF “VENICE IN ROME” AND “PANORAMICA” PASOLINI’S MACHAN WINS HEARTS ON THE LIDO ITALIAN CINEMA IN CANNES: A MEETING IN VILLA MEDICI ROSA “SCRATCHES” BENEATH THE SURFACE OF MARITAL BLISS THE CENTOAUTORI MOVEMENT HOSTED AT THE AUTHORS VILLA THE PRIZE FOR BEST SECTION OF THE MOSTRA GOES TO VENICE DAYS PRESIDENT BARATTA WELCOMES VENICE DAYS VERHEYDE’S AUTOBIOGRAPHICAL STELLA SHINES BRIGHT APRAHAMIAN’S BROKEN LINES WHOLLY ENGAGING THE AUTHORS’ HOUSE BECOMES “A DIFFERENT COUNTRY” VENICE DAYS BACK AT THE CANNES FILM FESTIVAL MÖDERNDORFER OFFERS DARK LANDSCAPE OF HIS COUNTRY TOYE RETURNS TO CINEMA WITH NOWHERE MAN AUTHORS LUNCH WITH CARLOS SAURA, VITTORIO STORARO AND ANDREA OCCHIPINTI THE NEW INTERNATIONAL INITIATIVE ALLIANCE MONDIALE DU CINEMA (AMC) PRESENTED TODAY AT THE AUTHORS’ VILLA FRUITFUL PRESENCE OF VENICE DAYS IN CANNES PRESENT AND FUTURE OF DOCUMENTARY CINEMA: DOC/IT AND SOLINAS AWARD ARE GUESTS OF VENICE DAYS REZZA AND MASTRELLA TURN THE TABLE ON CRITICS ROME, CASA DEL CINEMA: PRESS CONFERENCE FOR VENICE DAYS’ FIFTH EDITION MEETINGS AT VENICE DAYS CLOSE WITH AN APPEAL: CULTURE EMERGENCY UNDER THE BOMBS: A SUCCESSFUL PREMIERE IN ROME VALKEAPÄÄ BRINGS BEGUILING VISITOR TO THE LIDO THE SECOND APPOINTMENT ABOUT REFLECTION ON CINEMA AND NEW MEDIA AT THE AUTHORS’ HOUSE WIM WENDERS, UNEXPECTEDLY, PRESENTS NOWHERE MAN NEW DELEGATE GENERAL AND EXECUTIVE COMMITTEE APPOINTED NEW DELEGATE GENERAL AND EXECUTIVE COMMITTEE APPOINTED 09/02/2009 The Board of Directors of the VENICE DAYS Association, which convened with the members assembly (of Italian audiovisual authors and film-makers associations) “unanimously praised Delegate Fabio Ferzetti for all his hard work and success from 2006 to 2008 and, in light of his decision to not renew his position for professional reasons, appointed journalist and film critic Giorgio Gosetti, currently a member of the Association, Delegate General of Venice Days 2009.” Upon Gosetti’s request, the Board further established an “Executive Committee committed to sustaining the continued growth of Venice Days, in its relations with the international audiovisual industry (maintained by Sylvain Auzou) as well as its permanent projects.” The latter includes the initiative 100 + 1, spearheaded by Ferzetti and dedicated to spreading and teaching Italy’s cinematic patrimony. Giorgio Gosetti has said: “I am positive that the work on this project will continue in the best possible way during 2009 and I hope that Fabio Ferzetti will contribute to its growth and dynamism staying with us in this new enterprise.” Founded in 2004 by Gosetti (who was appointed by the Italian filmmakers’ associations ANAC and API) and modeled after the Cannes Director’s Fortnight, VENICE DAYS quickly grew alongside the Venice Film Festival as an independent section of great international visibility, a meeting point for cultural debates and an event offering truly innovative works at the festival, as recognized by Biennale President Paolo Baratta and Marco Müller, artistic director of Venice. For three of its five editions, a Venice Days title has won Lion of the Future for Best Debut Feature of the Venice Film Festival. Last year’s edition – the third directed by Ferzetti, now a member of the Venice Days Association – was teeming with films that picked up awards at numerous international festivals: Thessaloniki (Adrian Sitaru’s “Hooked” and Celina Murga’s “A Week Alone”), Stockholm (Czech film “A Country Teacher” by Bohdan Sláma), Göteborg (Jukka-Pekka Valkeapää’s “The Visitor”), Cottbus (Michal Rosa’s “Scratch”), Kerala (Uberto Pasolini’s “Machan”, which also won the Europa Cinemas Label at Venice) and Sundance (the only Italian film to be selected this year, “One Day in the Life” by Stefano Tummolini). Moreover, French title “Stella” by Sylvie Verheyde, distributed in Italy by Nanni Moretti’s Sacher Film, has become one of the surprise hits of the season in Italy. “I’m happy and honored,” said Gosetti, “to return as head of a cultural project and event I have always believed in and to which I have remained tied over the years. The formidable drive and results of the most recent editions of Venice Days, as well as the current vitality of Italian filmmakers, inspire further renewal and new initiatives that reach beyond Venice Days. I accept this challenge that brings with it the privilege of the solid collaboration and support of Association President Roberto Barzanti and the Board of Directors, as well as excellent consultants such as Sylvain Auzou for our international relations and Fabio Ferzetti, who will ensure continuity of the project 100+1”.