NEWS DIRECTORS FILMS PROGRAM PRESENTATION REGULATIONS PARTNERS CONTACTS CURRENT EDITION select news CRIALESE’S “CHILDREN” GROW UP IN MOVING DOCUMENTARY VENICE DAYS: FIFTH EDITION AN ITALIAN DISTRIBUTION FOR LANDSCAPE NO.2 100+1: BEYOND THE LIST THE DISCUSSION ABOUT THE LIST OF THE 100 MOVIES TO BE “SAVED” AND SHOWN IN SCHOOLS GOES ON IN VENICE A COUNTRY TEACHER HITS THE LIDO ADIUS: WHEN A SONGWRITER BECOMES A POET HOOKED HOOKS AUDIENCE AT ITS WORLD PREMIERE IL DIVO AND GOMORRAH : UNRELEASED EXCERPTS IN VILLA LO STATO DI ECCEZIONE: DOCUMENTARY BETWEEN MEMORY AND CINEMA . UBERTO PASOLINI’S MACHAN WINS VENICE EUROPA CINEMAS LABEL THE VISITOR BY JUKKA-PEKKA VALKEAPÄÄ TRIUMPHS AT THE INTERNATIONAL FILM FESTIVAL OF GÖTEBORG ONE DAY IN A LIFE TOOK TEN YEARS TO HIT SCREENS A WEEK ALONE LOOKS AT UPPER-CLASS ISOLATION AT THE AUTHORS’ VILLA A DISCUSSION ABOUT ARTHOUSE CINEMA AND ITS PROBLEMS, STARTING FROM FRANCE AND ITALY VENICE DAYS DEBATE ON COPYRIGHT AND CREATIVITY. THE SIAE AWARDS CEREMONY FOLLOWED JURORS’ NAMES OF THE PRIZE "LUIGI DE LAURENTIIS" FOR BEST DEBUT HAVE BEEN ANNOUNCED VENICE DAYS 2008 PROGRAM IS ON LINE EUROPA CINEMAS SUPPORTS VENICE DAYS FOR THE FIFTH YEAR VENICE DAYS FILMS SCREENED AT THE USUAL APPOINTMENTS OF “VENICE IN ROME” AND “PANORAMICA” PASOLINI’S MACHAN WINS HEARTS ON THE LIDO ITALIAN CINEMA IN CANNES: A MEETING IN VILLA MEDICI ROSA “SCRATCHES” BENEATH THE SURFACE OF MARITAL BLISS THE CENTOAUTORI MOVEMENT HOSTED AT THE AUTHORS VILLA THE PRIZE FOR BEST SECTION OF THE MOSTRA GOES TO VENICE DAYS PRESIDENT BARATTA WELCOMES VENICE DAYS VERHEYDE’S AUTOBIOGRAPHICAL STELLA SHINES BRIGHT APRAHAMIAN’S BROKEN LINES WHOLLY ENGAGING THE AUTHORS’ HOUSE BECOMES “A DIFFERENT COUNTRY” VENICE DAYS BACK AT THE CANNES FILM FESTIVAL MÖDERNDORFER OFFERS DARK LANDSCAPE OF HIS COUNTRY TOYE RETURNS TO CINEMA WITH NOWHERE MAN AUTHORS LUNCH WITH CARLOS SAURA, VITTORIO STORARO AND ANDREA OCCHIPINTI THE NEW INTERNATIONAL INITIATIVE ALLIANCE MONDIALE DU CINEMA (AMC) PRESENTED TODAY AT THE AUTHORS’ VILLA FRUITFUL PRESENCE OF VENICE DAYS IN CANNES PRESENT AND FUTURE OF DOCUMENTARY CINEMA: DOC/IT AND SOLINAS AWARD ARE GUESTS OF VENICE DAYS REZZA AND MASTRELLA TURN THE TABLE ON CRITICS ROME, CASA DEL CINEMA: PRESS CONFERENCE FOR VENICE DAYS’ FIFTH EDITION MEETINGS AT VENICE DAYS CLOSE WITH AN APPEAL: CULTURE EMERGENCY UNDER THE BOMBS: A SUCCESSFUL PREMIERE IN ROME VALKEAPÄÄ BRINGS BEGUILING VISITOR TO THE LIDO THE SECOND APPOINTMENT ABOUT REFLECTION ON CINEMA AND NEW MEDIA AT THE AUTHORS’ HOUSE WIM WENDERS, UNEXPECTEDLY, PRESENTS NOWHERE MAN NEW DELEGATE GENERAL AND EXECUTIVE COMMITTEE APPOINTED MEETINGS AT VENICE DAYS CLOSE WITH AN APPEAL: CULTURE EMERGENCY 06/09/2008 The meetings at the Authors Villa had their closure yesterday with the group “CULTURE EMERGENCY” proposing the debate TOWARD A NEW HUMANISM- Re-open the dialogue between different languages. The meeting, focused on the importance of recognizing culture as central element of civil and democratic life of our Country, put itself as a sequel of the discussion begun on March the 28th, at Teatro Valle in Rome in a convention called Culture Emergency, that produced the manifesto Project for a new Humanism. In Venice this discussion has been transformed into an encounter with the Biennale, the world of Italian and international cinema, institutions and associations of theatre, literature and contemporary music, in sight of the creation of a permanent laboratory that would put culture as strategic choice for a society in transformation. The director Ugo Gregoretti, as President of National Association Cinematographic Directors (ANAC), on behalf of Association for Italian Theatre Benedetta Buccellato, Nino Russo (Anac),speaking on behalf of Carlo Lizzani, busy in preparing his next film, Rocco Cersareo, from National Union of Writers, Bruno Torri, President of Cinematographic Journalists Union, Emidio Greco (vice-president of Venice Days), Roberto Perpignani, President of Italian Federation of Cineaudiovisual Associations. Paolo Baratta – President of the Venice Biennale – underlined how “there is always need to notice that we are in a serious and qualitative showcase for filmmakers. While we work in this project, it’s hard for us to create a dialogue with world around us, that usually considers culture like a moment of consumption and creativity like a sort of machine that transform us in a news pass”. In the end, Fabio Ferzetti (General Delegate of Venice Days), resumes the central issue of the meeting, in an “absence of efforts in trying to understand the changes of society”